The Music-Lover had come to his
favourite seat. It was in the front row of the balcony, just where the curve
reaches its outermost point, and, like a rounded headland, meets the unbroken
flow of the long-rolling, invisible waves of rhythmical sound.
The value of that chosen place did
not seem to be known to the world, else there would have been a higher price
demanded for the privilege of occupying it. People were willing to pay far more
to get into the boxes, or even to have a chair reserved on the crowded level of
the parquet.
But the Music-Lover cared little for
fashion, and had long ago ceased to reckon the worth of things by the prices
asked for them in the market.
He knew that his coign of vantage,
by some secret confluence of architectural lines, gave him the very best of the
delight of hearing that the vast concert-hall contained. It was for that
delight that he was thirsting, and he surrendered himself to it confidently and
entirely.
He had arrived at an oasis in the
day. Since morning he had been toiling through the Sahara of the city's noise:
arid, senseless, inhospitable noise: roaring of wheels, clanging of bells,
shrieking of whistles, clatter of machinery, squawking of horns, raucous and
strident voices: confused, bewildering, exhausting noise, a desolate and
unfriendly desert of heard ugliness.
Now all that waste, howling
wilderness was shut out by the massive walls of the concert-hall, and he found
himself in a haven of refuge.
But silence alone would not have
healed and restored his spirit. It needed something more than the absence of
harsh and brutal and meaningless noise to satisfy him. It needed the presence
of music: tones measured, ordered, and restrained; varied and blended not by
chance, but by feeling and reason; sound expressive of the secret life and the
rhythmical emotion of the human heart. And this he found flowing all around
him, entering deeply into him, filling all the parched and empty channels of
his being, as he listened to Beethoven's great Symphony in C Minor.
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